Color That Can Be Saturated and SubtleWho Knew?

Color That Can Be Saturated and SubtleWho Knew?

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I adore color in watercolor painting—deep ruby reds, bold blues, verdant greens, rich golden yellows…I could go on and on, but one thing that I often forget in my zeal is that color is not just a matter of hue. Saturation and subtle color layers also play a huge part in how a successful painting comes together.

That’s especially true in watercolor. Because the pigments can be both transparent and opaque, and because colors are so easily layered on top of one another, there are an infinite number of colors to create in any watercolor painting.

In Christopher St. Leger’s work, I see how prismatic his colors are, and by that I mean that no one color seems to be taken unmixed from palette to paper. The artist builds complex colors through delicate washes and intricate blending. And he applies the paint in such a way that you get a sense of the “basic” colors he starts with, and how he mixes them into something else entirely.

Sometimes the best test of a color’s depth is looking at one that we often take for granted. Sarah Yeoman, an Artist Daily member whose work I just love, has shown me how neutral colors like brown, beige, and grey are in fact some of the most exciting and complex colors to create. In her watercolor painting Falling Light, I see how many colors went into making the browned foliage underbrush, and trees, as well as the grey-blue-white of the air and sky.

But an artist also has to know when to turn up the color. Give it to us bold and powerful. That is what Nessa Grainger often does in her watercolor art—incorporates strokes of bold color that energize the painting and make it seem like something exceptional is happening.

Color is the last thing any painter takes for granted, but knowing how to get the most out of color can take some doing with watercolor. In addition to techniques on watercolor as a medium, in the 50 Watercolor Essential Techniques Bundle, you will find instruction on color, layering, and more. After spending time with the resources in this kit, I am beginning to realize how expansive the possibilities of color and form in watercolor really are. It’s made me better understand what I am seeing when I look at other artists’ work, and it has also given me the confidence to explore watercolor all around the color wheel. Enjoy!

P.S. Right now our favorite painter Johannes Vloothuis is giving a Landscape Symbols Online Workshop. You can participate live or watch the painting sessions whenever you want from the comfort of your home or studio! Sign up now and enjoy the workshop!

Watch the video: Brown; color is weird (August 2022).